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Hyacinthe Rigaud
1659-1743
French
Hyacinthe Rigaud Gallery
He was born Jacint Rigau i Ros [1] -- though in many encyclopaedias is "re-christened" with the name of H??acint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau -- in Perpignan, which became French (Treaty of the Pyrenees) a short time after his birth (November 7, 1659).
In 1682, he was awarded the Prix de Rome.
He was the most important portrait painter in the reign of King Louis XIV. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him.
Because Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions. Rigaud was a master of the Baroque style of art. Rigaud's best-known work is his 1701 painting of Louis XIV which today hangs in the Louvre in Paris, as well as the second copy also requested by Louis XIV which is now at Versailles.
In 1709 he was made a noble by his hometown of Perpignan. In 1727 he was made a knight of the Order of Saint Michael.
Hyacinthe Rigaud died in Paris, France on December 27, 1743. Related Paintings of Hyacinthe Rigaud :. | Andre-Hercule de Fleury | Portrait de Claude de Saint-Simon (1695-1760), eveque de Metz | Graf Philipp Ludwig Wenzel Sinzendorf | Portrait of a | Full portrait of Marie Anne de Bourbon Dowager Princess of Conti | Related Artists: Hermann August Cappelen(1 May 1827 - 8 March 1852) was a Norwegian painter. Cappelen was best known for his melancholic, dramatic and romantic landscape compositions.
Hermann August Cappelen was born in Skien, Norway. He was the son of Diderik von Cappelen (1795-1866) and Margaret Noble Severine Henriette Løvenskiold (1796-1866). Both the Løvenskiold and Cappelen families were prominent Norwegian family of merchants, land owners, civil servants and politicians. His family were the owners of prominent iron works and various other properties. His grandfather, Diderik von Cappelen (1761-1828), was member of the Norwegian Constituent Assembly at Eidsvoll in 1814.
He grew up at Holden, a manor in Ulefoss in the Grenland district of the county of Telemark. After school graduation in Skien in 1845, he went to Christiania to take another exam at the University of Oslo. He subsequently went to Dusseldorf, where he studied with Hans Gude. Cappelen was a student at Kunstakademie Dusseldorf under Johann Wilhelm Schirmer in landscape painting class (1846-1850). Nathaniel Hone1718-1784
British
Nathaniel Hone (24 April 1718 ?C 14 August 1784) was an Irish-born portrait and miniature painter, and one of the founder members of the Royal Academy in 1768.
The son of a Dublin-based Dutch merchant, Hone moved to England as a young man and, after marrying in 1742, eventually settled in London, by which time he had acquired a reputation as a portrait-painter. While his paintings were popular, his reputation was particularly enhanced by his skill at producing miniatures and enamels. He interrupted his time in London by spending two years (1750-1752) studying in Italy.
As a portrait painter, several of his works are now held at the National Portrait Gallery in London. His sitters included magistrate Sir John Fielding and Methodist preacher John Wesley, and General Richard Wilford and Sir Levett Hanson in a double portrait.[2][3]
He courted controversy in 1775 when his satirical picture "The Conjurer" was seen to attack the fashion for Italian Renaissance art and to ridicule Sir Joshua Reynolds (it also included a nude caricature of fellow Academician Angelica Kauffmann, later painted out by Hone), and was rejected by the Royal Academy. To show his reputation was undamaged, Hone organised a one-man retrospective in London ?C the first such solo exhibition of an artist??s work.
His great-grand-nephew shared the same name and was also a notable Irish painter, known as Nathaniel Hone the Younger (1831-1917). FRUEAUF, Rueland the YoungerAustrian painter (b. ca. 1470, Passau, d. ca.
1545, Passau).
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